Sunday, December 28, 2014
Also, as this year is coming to an end, I was looking forward to writing a Top 3 list of the coolest things that happened to me this year. The third thing has yet to manifest (it will soon though), but the other two events is related to my being hired last May as an extra for the Batman vs Superman movie filmed here in Detroit in which I played a journalist for The Daily Planet. And the second great event was the Pearl Jam concert in October in Detroit. Not only was it such a great concert, as usual, but it was my FIRST time seeing Pearl Jam in the City of Detroit in the 22 years I have been a fan of them. And to top it off, Eddie Vedder got off stage and came up to section and was just two rows from me while singing one of my favorite Pearl Jam songs, 'Last Kiss'.
I'm confident that 2015 will be my year and great changes are coming for me soon! This is my last post for this year, so Happy New Year and may you too have a prosperous, productive, and positive new year!
Monday, December 15, 2014
I love to be scared, and horror films and heavy sci-fi films are my favorite genres, so upon reading various commentaries about how insane scary and psychological The Babadook was, I steered clear of spoilers and not reading in depth critical reviews. Thus far, The Bababook has a 98% fresh rating from Rotten Tomatoes and an 86% Metacritic rating. That's unheard of for a straight up horror/monster movie!
The Babadook is about a stressed out and socially isolated widow, Amelia (Essie Davis) and her hyper and demanding six year-old son, Samuel (Noah Wiseman). Through flashbacks, we learn that Amelia lost her husband in a horrible car accident, and that Samuel was born that very night. The supernatural elements of the story makes you ponder if there's a connection between the husband's death, the son's birth, and the mysterious arrival of an entity that only the boy is aware of from nightmares. As a long grieving widow, Amelia has a nurse's aide job at a retirement community and that is the only time she has being away from her son who does not get on well with other children, even his own aunt doesn't like him. Eventually, Samuel's dreams start to become more vivid in that he can't sleep in his own bed and he needs his mother's constant assurance and protection from 'the thing' under his bed and in his closet, every night. In order for him to fall asleep, she must read him a bedtime story. This extra care and attention to her son is at the risk of her own need for sleep, and thus leading to mind altering sleep deprivation - a perfect time to be susceptible to something sinister.
One day, a mysterious large red book titled 'The Babadook' appears on Samuel's book case and he asks his mother to read it for him. Almost immediately upon opening the book and reading it, Amelia is startled by the disturbing images and the text which was haunting and horrifying, and thus prompting more nightmares for both of them. Thinking she could just rip the book up and throw it away, that would be the end of her problems. Amelia's sanity is slowly breaking down due to not being able to sleep, and after her son's continued disruptive behavior at school and telling everyone about The Babadook, he is removed from school and medicated so that he could sleep. The Babadook makes his existence known at this point and is quite bold. Noises in the house that makes the heart stop, or forces Amelia to hide under the covers, doors opening, panic attacks, heavy breathing, lurking shadows and a menacing ghostly face, all combined make The Babadook a psychologically wearing down horror film. The Babadook takes a familiar plot of storybook induced nightmares and add several desperately needed new twists to modernize this long favored storytelling fable. A film does not need tons of gushing red blood, chainsaws, or zombies to scare the crap out of you, it's the psychological aspect of a true horror film that can do the job.
Australian films really tend to think outside of the box and be very unconventional in the story telling, and The Babadook is a prime example of that country's fresh take on horror. The film is playing at Cinema Detroit through Thursday, December 18th.
Cinema Detroit in a year, and I'm so glad that there is a theater of its kind in the heart of the city of Detroit. I had the pleasure to speak with Paula Guthat, the co-founder and CEO of Cinema Detroit, and she explained how they are utilizing a portion of a former school that was built in 1912; the other part is a current Montessori school. Inside the lobby of the theater are artifacts from the heyday of early 20th century cinema house film projectors and other instruments providing a museum quality historical perspective of the evolution of film viewing in cinemas. Paula also told me about the positive buzz Cinema Detroit has received from patrons, and some of them are from far away as New York City, and from Europe. They are most impressed with the re-utilization of such a beautiful space in an area that is in dire need of more re-vitalization.
If you're in the area, I encourage you to visit Cinema Detroit and support this lovely theater.
|The lighted sign which guides you to the entrance way.|
|A few historical early 20th century cinema artifacts.|
|The left side of the theater room 1.|
Monday, November 10, 2014
|There's no place like my future home in California|
To keep my spirits high and forward thinking about a life I know I will have in California, I think about the house I'll be living in, the car I'll be driving (a Prius, in Blizzard Pearl, of course - I even have a CA personalized license plate selected), the smell of the ocean breeze, the sweat on my skin from hiking in the Santa Monica mountains, the taste of eating sushi everyday, enjoying favorable weather and sunny skies daily, and welcoming regular visits from family and friends from Michigan. A part of me is working hard everyday to make my current existence in this state as comfortable and productive as possible, but obstacles, dead-ends, and disappointments have been littered about notably in the past few weeks. But, I am devoted and determined to remain positive and hopeful to ensure that what I want will happen.
I read a quote on twitter this morning that triggered this blog post:
Your destiny is in your hands. Creating the life you want is only, and always, up to you.
I've always believed this statement, and especially in the past several months, it has been a focus of my concentration in reinforcing to myself that I'm in control of my life. We are the architects of our lives, and I used to whine and complain a lot about stuff that wasn't going well in my life. And when I look back at those times, my negativity was only reinforcing my life at that time and keeping me under a dark cloud for so long. It's useless looking back in the past because what's done is done, there's only moving forward. I know what I want, and I know what I have to do to get it. It takes planning and due diligence, and like many important favorable things that have come to fruition for me, just like I planned it, this too will happen for me.
Life is too short to stay somewhere I am not happy. I smile and have happy thoughts when I think of California. When I'm a little down, my feelings perk right up when I think of California and the life I'll have there. I'm done with Michigan, it'll always been my family home state, but my heart home state is California!
|I have this background on my home computer - Daily Motivation|
Saturday, October 18, 2014
|Pearl Jam 'Lightning Bolt' mini-Midwest tour 2014 - Detroit|
As you will see from the video, it was surreal. Eddie left the stage to sing in the audience. He goes towards the back first but then realizes there is no way up to the audience at that time. So he comes back up towards the front and on the left side of the stage to Section 109, my ticketbastard seat section! You can hear me saying 'Oh my God, Oh my God'! as Eddie comes up the rows. I'm in row 9, so he got up to row 7. It was just so awesome! The Detroit show was incredible and Eddie was very chatty, drinking a lot of the wine - he shared a bottle with the audience. Stone, Boom, Mike, Matt, and Jeff were as usual, putting on excellent performances. Words fail me to fully express what this band means to me. I love them so much and wish that time, money, and logistics allowed me to see them more frequently. So it means all the more to me when I do see them that I am always, ALWAYS so happy and enjoying the show.
The last time I saw Pearl Jam was in 2011 in Toronto, and earlier that year I saw Eddie Vedder on his solo tour. I look forward to 20+ more years of seeing PJ in concert! Here is the video and some select images from the concert:
Saturday, October 4, 2014
|The look of love,or control?|
Having not read Gillian Flynn's popular book Gone Girl, I only had a faint idea what the movie was going to be about. Yet another pretty wife gone missing, evidence of a fatal bloody attack in her home, and her husband is prime suspect number one. Don't read any further if you haven't seen the film yet - Spoilers. Gone Girl is a case study of what happens behind the scenes of a media story when a woman goes missing and what her family does to try to find her. On the other side, we see how ridiculous the media frenzy is with the speculations, media stalking, self-appointed feminist crusaders ala Nancy Grace style in the pursuit of finding the missing pretty woman. Ben Affleck as Nick Dunne, has been married to Amy Dunne, brilliantly played by Rosamund Pike, for five years and just as things were really breaking down in their marriage, she disappears.
Some marriages are a match made in heaven, but this was a match made in hell. Although Nick is arrogant, he's not a murderer, we know who is the true cold calculating murderer and schemer of this relationship. In the end, Nick and Amy are united under nefarious purposes and you kind of feel sorry for Nick for the first time because he's scared of Amy and he's trapped. Usually, it's the other way around in such relationships. In a world when so many women are true victims of horrendous crimes by their partners, it's refreshing to see such a strong female character manipulate everyone in her life for her own selfish needs, and still come out on top as beloved and a media star. This movie is also a snapshot about our culture in how the media loves current event news stories about upper-middle class, attractive white females who appear to be victims of a horrible crimes.
Gone Girl is a great film, but I know a lot of people may not like it because it doesn't seem realistic, it defies belief that a woman like Amy exists and does the things she does. David Fincher did a fantastic job and I don't know if this is the type of film that will be recognized by AMPAS, but at the least, Rosamund Pike deserves a Best Actress nomination. She transformed herself not only physically, but emotionally, and psychologically as Amy Dunne. To begin to feel empathetic with her, then to see her as the complete psycho that she is, takes talent, and Rosamund Pike is overdue to be recognized for the great actress she is. When you go see Gone Girl, watch it with an open mind and employ suspension of disbelief because you're going to see extreme acts of a controlling psychopath who will do anything to get her way.
Monday, September 15, 2014
|Not all call center workers smile like this.|
After I signed up, I had to wait just a few days for stamps.com to send me the trial package of blank stamp stickers and shipping stickers. Only after I started reading the additional information they sent me, that's when I learned of their monthly fee for this service, on top of adding money to my account to cover postage fees. Well, the monthly maintenance fee for the lowest level professional account was $15.99. But that was hidden from me in the beginning. Had I known that there would be any monthly fee, besides the monies I would deposit to cover postage, I would not have signed up. At the present, the monthly fee itself would be more than the actual postage I'll use in a month and it would cut into any meager profits I would earn. If I was selling hundreds or thousands of dollars worth of product, $15.99 a month to use stamps.com service would be a bargain. But that's not my situation at the moment. The primary reason why I canceled the service is because the software is not compatible with the printer I use. Plain and simple. I wasted 12 envelopes trying to print out one .48 cent stamped envelope.
I kept getting error messages, and incorrect alignment problems, etc. My assessment was that this was not going to work, and I'm perfectly fine with it. I wanted to use this trial service, which gave me a free $5 postal balance, to see if it worked as easily as I thought. But it did not. With a monthly fee that was excessive for my needs, and incompatible equipment, it was clear that stamps.com was not the product for me. I tried to cancel online, but there was no cancellation option. I found a short paragraph that read "To cancel, call us at 1-800..." I knew then that cancelling was not going to be simple.
This morning, I called them and I spoke to a customer service rep quickly, and I told him that I wanted to cancel. He feigned concerned as to why would I want to cancel when I haven't given them 30 days to change my life with their product. I explained that after ruining a dozen envelopes to try to print out just one stamp, and getting error messages that said that my printer was not compatible with this software, it was clear that I could not use stamps.com service. He then said, 'Well, perhaps you should have just called our technical department they would have fixed this for you'. I then just curtly said, 'Cancel the service, it's not working for me'. Then he said that he'll be happy to extend the trial service for me so that I can call their tech department or buy a new printer. Can you believe this? So I repeated, 'Cancel the service now please'. Then he went on to say he'll cancel the service but that if I change my mind, they'll have on my file a free month of service when I decide to come back within twelve months. I calmly repeated, almost robotically at this point, 'Just cancel the service and please email me the confirmation'. And he did it, and moments later I received the confirmation.
I'm not a confrontational person, I don't like conflict, but I will, under no uncertain terms, stand up for myself, and stand my ground when I want something done, especially when it comes to customer service. I know the man was only doing his job, but there is something wrong with a company when they make it so easy to enroll/subscribe to their product, without contact with customer service, but then if you decide to cancel, you have to go through an orchestrated psychological game of dare and to justify why you want to cancel. This process is known as retention, and it's basically strong arming the customer to continue to use and PAY for a service they no longer want. Period. Many years back, I had to call a marketing company for a business I worked for at the time to cancel service. We totally weren't using it and for over a year, accounting overlooked that we were paying $125 a month for a service that they didn't even remember why they opened it. So they left it up to me to call and cancel.
I thought it would be simple, but it was a horrendous call. I believe I was on the phone for at least 45 minutes talking to a loud mouth, persistent saleswoman with a strong East Coast accent who felt she knew my company better than we did and knew what was best for us. I think I got dehydrated after telling her so many times that we just want to cancel, and apparently my 'excuse' for canceling just wasn't good enough for her, so due to exhaustion and completely not giving a damn, I conceded to her and ended the call without having the service cancel. She was a wizard of retention and probably that company's go to girl to confuse and bewilder clients out of canceling their service. I felt frustrated with myself for giving in, and very angry with that company. And from that moment on, I realized that if for my own personal vested interests, if I ever had to engage with someone like that, I would not tolerate it and get the service cancel, period.
If a company has to do that to keep a customer, that is not a company I want to deal with. So, sorry stamps.com, you did not impress me with the cancellation process so I will not be back. This mafia style retention process is becoming very common as the marketplace becomes more competitive. Consumers have a right to enter and exit the use of services, especially during trial periods, for whatever reason. Just cancel their service, say thank you, and maybe provide an incentive for them to consider using your services again in the future. But when you put up obstacles to prevent and make it difficult to cancel, they will never, ever use your service again. And in the age of social media and blogging, word gets around real quick about businesses and their practices.
Sunday, September 14, 2014
|Benedict Cumberbatch as Alan Turing in The Imitation Game|
In hindsight, The Imitation Game had all the hallmarks and TIFF hype for an eventual winner. After all, the lead actor of the film was featured on the cover of NOW, the TIFF festival guide magazine. Duh! When I left Toronto late Wednesday, I learned soon afterwards that a surprise THIRD screening of 'Game' was going to play at the Princess of Wales theatre on Thursday. Had I not been too stubborn in my support of what I believed to be a slightly better film, I should have known to accurately predict The Imitation Game, a film backed by Oscar Marketing Grand Wizard, Harvey Weinstein. Duh, again!
I do believe that The Imitation Game lucked out in winning this award only because Birdman, starring Michael Keaton, skipped TIFF. That film will have played at all the major Fall film festivals except TIFF, and had it played there, I would be writing about a different winner. Be that as it may, I did enjoy Game and I think it's a very good film, but certainly not the best. We'll see how it manages to hang on with this stamp of approval from Toronto through a tough Oscar season of great films yet to be seen, and see if it could bring home Oscar gold for Benedict and Keira.
Thursday, September 11, 2014
|A most charming man, Benedict Cumberbatch with his screaming fans (all pictures ©Simone at ToZ)|
However, I will start off with a review of Benedict's film, The Imitation Game -
The Imitation Game is a bio-pic about the world's first computer genius, but back in the WWII era, it wasn't known as a computer, but simply, a large calculator to help decipher encrypted codes written by the Nazis. Alan Turing was hired by MI6 to break the codes produced by the Nazis, and he had a very tight timeline to do it in the midst of World War II. Turing's demeanor immediately gave people the impression that he was not only eccentric, but anti-social, and quite frigid and autonomous with his work routine. But what really lay beneath Turing's aloof mannerisms was a gay man fearful of persecution in England had it been revealed that he was a homosexual. The director, Morten Tyldum, incorporated three key moments of Turing's life in this movie, with well executed flashbacks to Turing's childhood in school where he was tortured and bullied for being different and smarter than the other boys. However he found friendship with one special boy whom he would think about for the rest of his life. As it would come to be, Alan named his computer after his first love and believed that 'Christopher' would break the Nazi code which will eventually bring down that awful German regime.
Turing needed the assistance of a small group of brilliant mathematicians, including one woman, Joan, played by Keira Knightely. For a short time, Joan would be Alan's fiancee to help her stay with the mission of working with the computer to break the codes. Espionage comes into play and make everyone paranoid in the group, as a secret message to the Russians alerts MI6 that there's a Communist mole in Turing's group, with him as the lead suspect. As the heat is turned up and the pressure is on, eventually Alan breaks the code and helps end WWII. The third moment of Turing's life featured takes place after WWII where an investigator digs too deeply into Turing's life after a robbery in his home is coolly and unfortunately, suspiciously dismissed by Turing. This all leads to a revelation of his homosexuality and the pathetic law of England at the time that fully prosecuted men for being gay. With Turing's secret MI6 work being classified, the police had no idea that Turing was the man in England who helped ended WWII by decrypting Nazi messages. To them, he was just another poof that needed to be chemically castrated and "cured". His homosexuality wasn't cured, he as humiliated and victimized by the country he saved, and died at age of 41. Alan Turing's story needed to be told, and he deserves to be recognized as a frontier in the dawn of the computer age and honored for helping to save the world with his love of mathematics. As usual, the gay aspect is seriously downplayed, it's just a given, a known fact, but not shown in the film.
Grade - 4/5
|A PRish person warming up the Cumberbatch fans.|
The CumberbitchesI knew from seeing on the internet that Benedict Cumberbatch fans were in a universe all by themselves. Fans of TV shows have a zealousness that put music fans, fans of Broadway, and sports fans to complete shame. I really don't know why that is, but maybe it's because you don't have to pay to watch TV, or rather for a nominal fee, and you can watch the TV show and its repeats over and over again. Add a dash of a posh British accent and that voice, some charisma, genuine talent, a world renowned famous character, two cheekbones, and beautiful eyes, and you have a TV/movie heartthrob. I watched with calm interest how the fans (many of them well over the age of 30) were queued up since 10 am to pick a spot along the red carpet to have a prime view to see Benedict. Lucky for all the fans, Benedict was very gracious and spent a good amount of time signing autographs and taking pictures with the fans. I saw and heard lots of crazy screaming, but I heard that before at red carpet events. What was going on outside was what I have seen before, but I was not prepared for the behavior inside the theater.
|Keira, Benedict, and director Morten Tyldum|
When the cast came out one by one, and with Benedict last, there was a crazy scream from the audience by Cumberbatch fans. They were really, really excited. I think back on like last year at 12 Years a Slave and I recall my excitement to see Michael Fassbender. Sure, I adore him, and I applauded for him, but I didn't scream. That's ok, right? I was smiling and I was happy to see him and be there, but I didn't SCREAM for him. As the lights went down to start the film, the Cumberbitches even screamed and clapped when his name was on the screen during the opening credits.
Nearby, I heard some whispering and giggling during the film during certain scenes, and a few times I think I heard some light clapping after Cumberbatch as Turing said something in the movie that provoked some hysteria in a few fans. I remember thinking to myself that these people really needed to chill out and drink some chamomile tea or something. They were just too fidgety for an otherwise serious film about a serious subject.
|Only Keira, Benedict, and Morten spoke.|
After the film there was a standing ovation, and when the cast came up on stage, they received another standing ovation. At this moment I felt it was overkill, but I went with the flow, it's rude not to. For the first time in my 11 years of attending TIFF, they had two microphones at separate ends on the lower level ( you were screwed out of asking a question if you were in the balcony). This allowed anyone who had a question to prance up to the microphone and ask a question. What happened next, I never expected in my wildest dreams at TIFF. You see, if an inappropriate or silly question was asked from the audience without a microphone, the moderator would be able to hear the question and recite it in a succinct way to help everyone understand the question being asked. With a microphone, whatever you say in that microphone, is heard by everyone in that audience, immediately, instantly, with no audio malfunction. What I heard in the front row loud and clear, the person in the highest balcony tier in the furthest corner, also heard. Understand?
|The moment when the delusional fan annoyed everyone|
|Near the end of the Q&A|
When they left the stage, I could tell that Benedict couldn't leave fast enough, and I was glad it was over too.
If anyone from TIFF bothers to read this, I implore you to reconsider allowing microphones in the audience at screenings where there will be a huge fanbase of a very popular actor/actress. It's just best to have a moderator ask pre-written questions to help the audience have a better understanding of the film and performances we just viewed. Immediately after the screening of The Imitation Game, twitter was on fire about this stupid Cumberbitch's question. Her vomit inducing 'yumminess' term was used in the headline of an article written about the screening on Variety no less! The media ran with this and pretty much endorsed the behavior of this woman. Maybe some of the articles mocked her, but what I'm concerned about is the mileage she got from saying what she said. This incident will be used by her to align her with Benedict when people talk/write about the TIFF screening. The next morning on Cameron Bailey's tweet feed, he gushed about TIFF having Martin Scorsese at a Q&A, and he took a moment to also write 'behave yourselves'. Even Cameron knows the danger now posed by an immature and overzealous fan who lacked the intelligence and common sense to be mindful of what she's saying to a famous person in a public venue. I certainly hope that TIFF learns from this and don't allow microphones at least at screenings where there is talent with crazy fans in the audience.
|Benedict gave thoughtful and thorough responses to some questions|
Benedict Cumberbatch is a great actor in The Imitation Game. I strongly believe he will be nominated for an Oscar in this role, but his friend Eddie Redmayne will be a strong competitor too with his excellent work in The Theory of Everything.
|I grabbed his seat sign for the heck of it.|
Thankfully for galas and special presentations, I have access to Priority tickets from my dear friend Glenn whom is a Patron member. Without these tickets, I would have to wait in the regular ticket holder line. And to be in the front of that line, one must sacrifice getting in line about 3-5 hours before the screening starts. That's a long time to wait in line just to ensure you nab and ideal seat. Subsequently, the mad scrambling that I had to endure at some screenings, especially the one for Nightcrawler on Friday night at the Elgin, was not fun. Not only was there an unprecedented thunderstorm that hit downtown Toronto at 7:30pm that evening, nearly 2,000 people were in line outside the theater to get inside. Worse yet, there was no protocol in place to allow people to go in early, and I now understand why. Dripping wet, once in the theater, I was shocked at how many reserved seats were blocked off on the main floor and in the balcony, center rows of course. Once I find my seat, I look at all the other people scrambling inside, desperately looking for a seat. The TIFF staff have to re-set up the theater after each screening to block off reserved seats. Some screenings require less reserved seating, others require many, many more. And it takes time to clean up the theater and block off seats. See for yourselves:
|Elgin main floor|
|Princess of Wales main and balcony|
|Cheryl Strayed and Nick Hornby|
Reese Witherspoon stars in this film about a troubled woman with a history of drug abuse and an out of control sex life who goes on a soul searching hiking journey through the Pacific Crest Trail to find herself and chase away her demons. Based on the bestselling book written by Cheryl Stayed, we see Reese in a different light - she's no goody two shoes and she's on display in ways we've never seen her. And she's really challenged in this role both physically, mentally, and emotionally. I really liked this film and as a semi-hiker, this film has inspired me to consider a hike on the PCT, but no way near 1K miles - a quarter of that would suffice. The TIFF screening had a Q&A with Cheryl Strayed, and Nick Hornby.
|Cast of Maps to the Stars|
Maps to the StarsIn typical David Cronenberg fashion, this film has strange characters with psychological problems. Maybe not enough to be institutionalized, but otherwise functional damage people. The central character is played by Julieanne Moore as an aging and desperate actress who is eager for a prized role that her mother played in her youth. Cronenberg does a great job in highlighting a closer to the truth depiction of what goes on in the private lives of some celebrities. Behind the scenes she's a raving mess, popping pills, cocaine, sex parties, etc. But in public, she's poised and smiles for the camera. An incredibly insecure woman battling visions of her mother to remind her that she's past her prime. Other principle characters involve a young child actor who is a complete asshole brat and gives me the impression that this is how Justin Beiber must be. A spoiled, demanding, rude, asshole. But in a way, with parents that he has, and a mysterious sister Mia Wasikowska, it's easy to understand why the kid played by Evan Bird is the way he is. Because of my own fascination with Hollywood, this movie is quite entertaining, but with equal measures of discomfort. A lot of people walked out of the Roy Thomson Hall during the movie, and the film received an ok applause afterwards, but I thought it was very good. If you like Cronenberg, and if you're interested in seeing a depiction of what the demands of Hollywood can have on the mental stability of actresses and actors, then this is the film for you.
|Xavier Dolan at TIFF Bell Lightbox|
MommyXavier Dolan's Mommy is a story about a loud and foul mouth, single mother, Diane, and her troubled son, Steve, who is in obvious need of psychological intervention and behavioral management. His father died a few years earlier and as revealed in the film, the boy's temper and disruptive and unruly behavior spirals completely out of control. A new law allows a person to be admitted into a psych hospital for their own good. Initially Diane tries home schooling and even befriending a quite and shy neighbor to help her with Steve. Just as things appear to improve, they do not. Faced with a civil lawsuit for the harm that Steve did to a classmate, Di has to decide to get legal help, or do something drastic with the disturbed son she loves so much. Mommy is about a severely dysfunctional relationship between a woman and her son - she's his mommy, but they get on more like friends/enemies. The vulgar way he speaks to her as well as his oedipal feelings towards Diane leaves the viewer on edge as to what is going to happen to them in the long run because they cannot stay on this track forever. The music in the film is a bit loud, and each song runs its entire length, presenting a music video style during some scenes. One of my favorite scenes played Wonder Wall from Oasis and it was beautiful and fun to watch. A rare high point during this brilliantly made and acted film. Not for the faint of heart or those who experience domestic/family violence.
More images from TIFF 2014
|Street images are part of the new interactive TIFF on King Street|
|Paparazzi in queue to cover Imitation Game|
The Imitation Game will be featured in a separate article by itself.
Sunday, September 7, 2014
|Red carpet at the Princess of Wales Theatre|
The first film, The Riot Club, directed by Lone Scherfig, was set at Oxford University and focused on an elite private men's club, the Riot Club, which was drunk on debauchery and ruthless behavior. The 99% is used to seeing films where the majority victimizes the 1% in a myriad of horrible ways. But in the Riot Club, we get a snapshot of how some of the 1% really feel about the underclass. They have so much money and are empowered with the knowledge that they are set for life, that they just don't give a damn and have all their needs met. Even in the case of one fateful night of celebration and destruction, the strength and legacy of the Riot Club depends on one member sacrificing himself for the good of the club to continue their ways unchecked. None of the young men of the riot club has a smidgen of decency, morality, or real class. And the old adage is true: Absolute power corrupts. These guys give a whole new meaning to elitist snobs and the danger they pose to innocent people, and still get away with it because of who they are. The Riot Club is an entertaining film that leaves you a little sick to the stomach with the disturbing mistreatment of people in different social classes.
Grade: 3 1/2 Stars
|Actors, director, and producers of ToE.|
|Eddie Redmayne was brilliant in the movie, sweet and likeable on stage.|
Grade: 5 Stars
|Director James Marsh, and Felicity Jones.|
Images from today at TIFF -
|The 'P' on my ticket is Priority. First to be allowed into theatre. A Precious benefit and advantage in seat finding.|
|Celebrity interviews take place at the high-end Holt Renfrew store.|
|Fans line up anticipating stars arriving at Holt Renfrew for interviews|
Tomorrrow's films are: The Equalizer with Denzel Washington, and Mr. Turner, with Timothy Spall, the Best Actor winner at Cannes.
|Welcome to TIFFland!|
I have seen Sunshine Superman(Thursday), The Clouds of Sils Maria, The Drop, Nightcrawler (all on Friday), Ruth & Alex, and The Face of an Angel (these two on Saturday). Both 'Sunshine' and 'Sils Maria' were great films, with the former being a documentary. It was nice seeing Juliette Binoche do a Q&A afterwards, she is very smart, talented, and lovely.
|Juliette Binoche Q&A at The Clouds of Sils Maria|
The Drop started over 25 minutes LATE, prompting me to exit it earlier so that I can go across town from Princess of Wales to the Elgin for Nightcrawler. Then a thunderstorm hit Toronto and I got soaking wet while standing out in the rain for an excessive amount of time outside of the Elgin. My frustration with the surprise rain was heighten when I got inside the theater to see that 60% of the prime seats were RESERVED for sponsors and special people. This was ridiculous and highlighted a concern of mine regarding TIFF last year with each passing year revealing a pandering to sponsorship for special presentations and leaving the commoner movie fan relegated to the side and less ideal seats. The seating at the Elgin for Nightcrawler was so bad, I took a picture of the reserved seating.
|A section of at least 300 seats reserved for sponsors - in this section alone.|
|Morgan Freeman of Ruth & Alex|
|Morgan, the writer of Ruth and Alex, and the director|
|Director and cast of Face of an Angel.|
For Sunday, I am seeing The Riot Club and Theory of Everything. And on Monday, The Equalizer, and Mr. Turner. My next update will be posted later on Monday. Meanwhile, continue to follow my tweets and Instagram.